Shekhinah in Labor
A performative lecture examining how a transfeminine body negotiates religious classification, self-representation, and the right to occupy sacred space.
A focused selection of works across performance, moving image, sound, installation, and research, tracing recurring concerns with the body, queer and trans memory, autobiography, and public image.
A performative lecture examining how a transfeminine body negotiates religious classification, self-representation, and the right to occupy sacred space.
A transfeminine body enters the myth of Marilyn Monroe, turning desire, sex work, and glamour into a fractured essay on visibility and violence.
A solo exhibition investigating the icon as a mechanism of projection and control, tracing how trans and queer bodies are produced and consumed as images.
An experimental film examining trans embodiment as a site of enforced legibility, where visibility, damage, and desire coexist without narrative resolution.
A performance retooling the language of religious devotion into a controlled collapse of drag, voice, and gesture, staging prayer as refusal rather than redemption.
A DIY queer protest track and video using disco, drag, and repetition to assert collective presence against political pressure and exhaustion.
An intermedial live performance combining voice, sound, and movement to examine how coherence, identity, and exposure collapse in real time.
An interdisciplinary exhibition assembling a multigenerational trans archive through testimonies, documents, sound, and artworks, positioning trans memory as a form of public infrastructure.
A long-term curatorial practice establishing self-determined production frameworks for feminist, queer, and trans artistic work beyond dominant institutional models.