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DIGITAL EXHIBITION CATALOGUE//2025

I Just Wanted to Be an Icon

SOLO EXHIBITION / 2025•Wilcza 16•Warsaw, Poland•Warsaw Queer Week
Exhibition view of "I Just Wanted to Be an Icon", Wilcza 16, Warsaw, 2025.
[OPENING PLATE]Exhibition view of "I Just Wanted to Be an Icon", Wilcza 16, Warsaw, 2025.
// EXHIBITION METADATA
ARTISTSIMONA KASPROWICZ
VENUEWilcza 16
LOCATIONWarsaw, Poland
YEAR2025
PROGRAMMEWarsaw Queer Week
CURATORBETTY Q
RUN DATES8–15 June 2025
OPENING8 JUNE 2025, 19:00
EXHIBITION HOURS9–13 JUNE, 16:00–20:00
CLOSING / FINISSAGE15 JUNE 2025
IN COLLABORATION WITHLISOWSKI GALLERY
FORMATSOLO EXHIBITION
STATUSARCHIVED

This digital catalogue documents the works, installation and related events presented in and around the exhibition.

// CURATORIAL STATEMENT

The body, the gaze, and the desire to become an icon

I Just Wanted to Be an Icon brings together works from different moments of Simona Kasprowicz’s practice in a new exhibition structure. Moving image, painting, photography, objects and text return as parts of a fragmented self-portrait: images are repeated, reworked and placed beside one another so that their earlier meanings shift. The exhibition follows self-image and self-production through queer and trans femininity, asking how a body is made visible, becomes a surface for projection and is consumed.

Iconicity appears here as a process rather than a fixed religious code. The body operates as both image and archive, carrying pop-cultural projections, private memory, desire and fragments of earlier performance. Motifs migrate between video, painting, photography and objects; each return alters the form and pressure of the image.

The exhibition does not present a single, completed figure. It gathers repetitions, reproductions and partial views into a dispersed portrait of a practice in motion — one in which visibility can be desired, used and resisted at the same time.

SIMONA KASPROWICZ, 2025
// 03. CATALOGUE OF WORKS

WORKS IN THE EXHIBITION

Curated editorial sequence of artworks, moving image, and spatial interventions

Hole, 2025. Poem
CAT. 01Hole, 2025. Poem
CAT. 01// 2025

Hole

Medium: Poem

A poem about being abandoned at dawn, where the language of care fails and a cigarette burn turns heartbreak into a problem with the security deposit.

Body/City of Desperation, 2022. Single-channel video, colour, sound, 16:9
CAT. 02Body/City of Desperation, 2022. Single-channel video, colour, sound, 16:9
CAT. 02// 2022

Body/City of Desperation

Medium: Single-channel video, colour, sound, 16:9

An experimental film examining trans and nonbinary embodiment as a site of enforced legibility, where visibility, damage, and desire coexist without narrative resolution.

CAT. 03SERIES // 3 PLATES

This Is Not Rape

Mixed media on canvas // 2025
Dimensions: 60 × 60 cm

Series: Iconoclasm. An ornate cruciform structure exposes and absorbs a body at once, turning the icon of suffering into a device that controls how harm is seen, named and understood.

This Is Not Rape, 2025.
Pl. 01This Is Not Rape, 2025.
This Is Not Rape — detail.
Pl. 02This Is Not Rape — detail.
This Is Not Rape — detail.
Pl. 03This Is Not Rape — detail.
CAT. 04SERIES // 3 PLATES

The Dialogue of Saint Simona with a Dick

Mixed media on canvas // 2025
Dimensions: 60 × 60 cm

A blue figure assumes the pose of sacred ecstasy as a glittering phallic form rises along the axis of her body, suspending the image between devotion, desire, exposure, and restraint.

The Dialogue of Saint Simona with a Dick, 2025.
Pl. 01The Dialogue of Saint Simona with a Dick, 2025.
The Dialogue of Saint Simona with a Dick — detail.
Pl. 02The Dialogue of Saint Simona with a Dick — detail.
The Dialogue of Saint Simona with a Dick — detail.
Pl. 03The Dialogue of Saint Simona with a Dick — detail.
CAT. 05SERIES // 3 PLATES

Queer Mother Fucking the Cistem

Mixed media on canvas // 2025
Dimensions: 60 × 60 cm

Series: Iconoclasm. A drag-transformed Madonna and Child shifts a devotional image toward unstable gendered codes and refusal.

Queer Mother Fucking the Cistem, 2025.
Pl. 01Queer Mother Fucking the Cistem, 2025.
Queer Mother Fucking the Cistem — detail.
Pl. 02Queer Mother Fucking the Cistem — detail.
Queer Mother Fucking the Cistem — detail.
Pl. 03Queer Mother Fucking the Cistem — detail.
Skin 2.0, 2021. Single-channel video, 16:9
CAT. 06Skin 2.0, 2021. Single-channel video, 16:9
CAT. 06// 2021

Skin 2.0

Medium: Single-channel video, 16:9

A stripped-back video returns to a post-violence text as the camera studies skin up close—tracking how words lodge in the body, resurface in rhythm and texture, and refuse closure.

CAT. 07SERIES // 6 PLATES

Untitled I

// 2025
Author: Simona Kasprowicz
Untitled I — plate 01
Pl. 01Untitled I — plate 01
Untitled I — plate 02
Pl. 02Untitled I — plate 02
Untitled I — plate 03
Pl. 03Untitled I — plate 03
Untitled I — plate 04
Pl. 04Untitled I — plate 04
Untitled I — plate 05
Pl. 05Untitled I — plate 05
Untitled I — plate 06
Pl. 06Untitled I — plate 06
CAT. 08SERIES // 3 PLATES

Simona MM

Mixed media on canvas // 2025
Dimensions: 60 × 60 cm

Series: Iconoclasm. A trans-femme self-portrait inhabits Marilyn Monroe pop iconography while withholding the gaze it appears to promise.

Simona MM, 2025.
Pl. 01Simona MM, 2025.
Simona MM — detail.
Pl. 02Simona MM — detail.
Simona MM — detail.
Pl. 03Simona MM — detail.
CAT. 09Relicing
Installation // 2025
Relicing, 2025. Installation
CAT. 09Relicing, 2025. Installation

A cruciform structure mounts detached heads, limbs, synthetic hair, and patent boots as relics of a trans-femme figure that has no complete body behind it.

CAT. 10SERIES // 6 PLATES

Untitled II

// 2025
Author: Malga Kubiak
Untitled II — plate 01
Pl. 01Untitled II — plate 01
Untitled II — plate 02
Pl. 02Untitled II — plate 02
Untitled II — plate 03
Pl. 03Untitled II — plate 03
Untitled II — plate 04
Pl. 04Untitled II — plate 04
Untitled II — plate 05
Pl. 05Untitled II — plate 05
Untitled II — plate 06
Pl. 06Untitled II — plate 06
Sweet Nothing Love I, 2023. Single-channel video, colour, sound, 16:9
CAT. 11Sweet Nothing Love I, 2023. Single-channel video, colour, sound, 16:9
CAT. 11// 2023

Sweet Nothing Love I

Medium: Single-channel video, colour, sound, 16:9

A moving-image work that examines love as residue rather than narrative — intimacy that lingers in the body after its ending, refusing closure, healing, or disappearance.

CAT. 13SERIES // 3 PLATES

Sweet Nothing Love III

Oil on canvas // 2023
Dimensions: 80 × 60 cm

A painting that reassembles visual material from the earlier moving-image work Sweet Nothing Love I: bodies, flowers and interrupted gestures occupy one simultaneous image.

Sweet Nothing Love III, 2023.
Pl. 01Sweet Nothing Love III, 2023.
Sweet Nothing Love III — detail.
Pl. 02Sweet Nothing Love III — detail.
Sweet Nothing Love III — detail.
Pl. 03Sweet Nothing Love III — detail.
CAT. 14SERIES // 3 PLATES

Ave I

Acrylic on canvas // 2024
Dimensions: 60 × 60 cm

A painting after the earlier performance Ave (2021), rebuilding its residue as an autonomous image.

Ave I, 2024.
Pl. 01Ave I, 2024.
Ave I — detail.
Pl. 02Ave I — detail.
Ave I — detail.
Pl. 03Ave I — detail.
CAT. 15SERIES // 6 PLATES

Untitled III

// 2025
Author: Natalia Trojgo
Untitled III — plate 01
Pl. 01Untitled III — plate 01
Untitled III — plate 02
Pl. 02Untitled III — plate 02
Untitled III — plate 03
Pl. 03Untitled III — plate 03
Untitled III — plate 04
Pl. 04Untitled III — plate 04
Untitled III — plate 05
Pl. 05Untitled III — plate 05
Untitled III — plate 06
Pl. 06Untitled III — plate 06
CAT. 16SERIES // 7 PLATES

Untitled IV

Photography // 2025
Author: Au Matt
Untitled IV — plate 01
Pl. 01 [Primary]Untitled IV — plate 01
Untitled IV — plate 02
Pl. 02Untitled IV — plate 02
Untitled IV — plate 03
Pl. 03Untitled IV — plate 03
Untitled IV — plate 04
Pl. 04Untitled IV — plate 04
Untitled IV — plate 05
Pl. 05Untitled IV — plate 05
Untitled IV — plate 06
Pl. 06Untitled IV — plate 06
Untitled IV — plate 07
Pl. 07Untitled IV — plate 07
CAT. 171 PLATE

The Couch

360° video, colour, silent, loop // 2025
Author: Video: Au Matt

A silent 360° video in which a sofa, a cigarette and a seated body are displaced from domestic space into an unfamiliar landscape.

The Couch, 2025.
Pl. 01The Couch, 2025.
CAT. 18SERIES // 3 PLATES

Autopietà

Mixed media on canvas // 2025
Dimensions: 60 × 80 cm

A doubled trans-femme self-portrait recasts the Pietà as an intimate encounter held beneath a shared neon halo and above a field of fragmented slurs.

Autopietà, 2025.
Pl. 01Autopietà, 2025.
Autopietà — detail.
Pl. 02Autopietà — detail.
Autopietà — detail.
Pl. 03Autopietà — detail.
CAT. 19Deus Sex Machina
Installation // 2025
Deus Sex Machina, 2025. Installation
CAT. 19Deus Sex Machina, 2025. Installation

A kinetic devotional figure convulses between self-canonizing prayer, erotic display, and the insults of men responding to the artist’s escort advertisement.

Revenge Porn, 2025. Poem
CAT. 20Revenge Porn, 2025. Poem
CAT. 20// 2025

Revenge Porn

Medium: Poem

A poem that turns sexual self-staging and rejection into an unstable form of revenge, asking who ultimately controls the image and who is being used by whom.

CAT. 21SERIES // 2 PLATES

Untitled V

// 2025
Author: Simona Kasprowicz
Untitled V — plate 01
Pl. 01Untitled V — plate 01
Untitled V — plate 02
Pl. 02Untitled V — plate 02
CAT. 22SERIES // 3 PLATES

Fallen Icons

Mixed media on canvas // 2025
Dimensions: 25 × 25 cm

Three vertically arranged portraits repeat the codes of the Hollywood blonde, allowing glamour and distortion to sustain the icon without producing a definitive face.

Fallen Icons, 2025.
Pl. 01Fallen Icons, 2025.
Fallen Icons — detail.
Pl. 02Fallen Icons — detail.
Fallen Icons — detail.
Pl. 03Fallen Icons — detail.
CAT. 23SERIES // 6 PLATES

Untitled VI

// 2025
Author: Natalia Trojgo
Untitled VI — plate 01
Pl. 01Untitled VI — plate 01
Untitled VI — plate 02
Pl. 02Untitled VI — plate 02
Untitled VI — plate 03
Pl. 03Untitled VI — plate 03
Untitled VI — plate 04
Pl. 04Untitled VI — plate 04
Untitled VI — plate 05
Pl. 05Untitled VI — plate 05
Untitled VI — plate 06
Pl. 06Untitled VI — plate 06
CAT. 24SERIES // 3 PLATES

Suicide Attempts

Mixed media on canvas // 2025
Dimensions: 25 × 25 cm

A triptych attaches posthumous headlines about Marilyn Monroe to photographs of the artist’s trans-femme body, while a central panel made with her blood tests how images and bodily traces are forced to testify to a suicide narrative.

Suicide Attempts, 2025.
Pl. 01Suicide Attempts, 2025.
Suicide Attempts — detail.
Pl. 02Suicide Attempts — detail.
Suicide Attempts — detail.
Pl. 03Suicide Attempts — detail.
I'm Going Bananas, 2025. Single-channel video, colour, loop
CAT. 25I'm Going Bananas, 2025. Single-channel video, colour, loop
CAT. 25// 2025

I'm Going Bananas

Medium: Single-channel video, colour, loop

In a looped performance for camera, the artist fellates a banana, turning a familiar sexual gesture into an overplayed image of desire, glamour and repetition.

Ave Manifesto, 2021. Text
CAT. 26Ave Manifesto, 2021. Text
CAT. 26// 2021

Ave Manifesto

Medium: Text

A closing manifesto from Ave demanding a culture built with — and not at the expense of — those pushed to its margins.

CAT. 27Fuck the Cistem
Song / audio work // 2024
Fuck the Cistem, 2024. Song / audio work
CAT. 27Fuck the Cistem, 2024. Song / audio work

A queer and trans anthem of survival and refusal, blending spoken-word ferocity with industrial beats.

The Last Supper

The Last Supper opened with the artist feeding the audience pieces of a cake shaped as her own head. The performance then shifted into a reading of unpublished autobiographical fragments, moving through the exhibition and responding directly to works installed in the gallery. Presented as the finissage of I Just Wanted to Be an Icon, the piece moved from an edible self-image to autobiography spoken aloud, bringing the exhibition’s images back into relation with the artist’s own voice and presence.

// 05. EVENTS / FINISSAGE

exhibition dates

2025-09-13 - 2025-09-14
2PROGI
2025-06-15
The Last Supper//@ Wilcza 16, Warsaw / Warsaw Queer Week
2025-06-08 - 2025-06-14
Wilcza 16
// 06. COLOPHON & CREDITS

PUBLICATION COLOPHON

Published on the occasion of the solo exhibition "I Just Wanted to Be an Icon". Rights to individual works and documentation remain with their respective authors and rights holders.

EXHIBITION CONCEPTSIMONA KASPROWICZ
ARTISTSIMONA KASPROWICZ
CURATORBETTY Q
VENUEWilcza 16, Warsaw
PRESENTED DURINGWARSAW QUEER WEEK
IN COLLABORATION WITHLisowski Gallery
PHOTOGRAPHYMalga Kubiak
PHOTOGRAPHYAu Matt
PHOTOGRAPHYNatalia Trojgo
BODY CASTINGAga Szreder
EXHIBITION INSTALLATIONRobert Gajda
EXHIBITION INSTALLATIONKrzysiek Wiluch
MUSIC PRODUCTIONPaweł Bednarczyk
NAIL ARTKlaudia Szydło
SIMONA KASPROWICZ // DIGITAL CATALOGUE ARCHIVE SYSTEM